List of bibliographic references indexed by Thomas Morley
Number of relevant bibliographic references: 77.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000016 (2011) |
Kerry Mccarthy | Philips's 1628 Paradisus and the triumph of the Eucharist |
| 000032 (2010) |
Jeremy L. Smith [États-Unis] | ‘Unlawful song’: Byrd, the Babington plot and the Paget choir |
| 000066 (2009) |
| Microform Reviews |
| 000082 (2008) |
David Humphreys [Niger] | George Kirbye's Clemens parody |
| 000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
| 000094 (2007) |
Alexandra Williams [Australie] | ‘Bonnie Sweet Recorder’: some issues arising from Arnold Dolmetsch's early English recorder performances |
| 000110 (2006) |
Hugh Benham | William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.) |
| 000124 (2006) |
John Milsom | Eavesdropping on Evensong |
| 000126 (2006) |
Thomas Elias | Ditties, psalms and fa las |
| 000136 (2005) |
John Harley | ‘My Ladye Nevell’ Revealed |
| 000146 (2005) |
Magnus Williamson | Renaissance polyphony |
| 000150 (2005) |
David Pinto | Magic and mystery in Gibbons and Dowland |
| 000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
| 000174 (2004) |
Kerry Mccarthy | Byrd's English music Conference: The English-texted music of William Byrd, University of Leeds, 11 September 2004 |
| 000201 (2002) |
Pamela Coren | Singing and silence: female personae in the English ayre |
| 000267 (2001) |
Elizabeth Eva Leach [Royaume-Uni] | Cristle Collins Judd (ed.), Tonal Structures in Early Music |
| 000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
| 000272 (2000) |
Hugh Benham | REVIEWS OF MUSIC |
| 000275 (2000) |
Sally Drage | Elias Hall, ‘the faithful chronicter’ of Oldham psalmody |
| 000363 (1994) |
Ian Spink | REVIEWS OF BOOKS |
| 000364 (1994) |
Oliver Neighbour | REVIEWS OF BOOKS |
| 000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
| 000404 (1991) |
Arthur Searle | Manuscripts and printed music |
| 000405 (1991) |
David Greer | Manuscript Additions in Early Printed Music |
| 000431 (1989) |
Ian Payne | George Kirbye (c. 1565–1634): Two Important Repertories of English Secular Vocal Music Surviving Only in Manuscript |
| 000461 (1987) |
Stewart Mccoy | Edward Paston and the textless lute-song |
| 000479 (1985) |
Harinder S. Marjara | Milton's “Chromatick jarres” and “Tuscan Aire” |
| 000505 (1983) |
Arthur W. J. G. Ord-Hume | Ornamentation in mechanical music |
| 000519 (1982) |
Richard Charteris | NEWLY IDENTIFIED ITALIAN MADRIGALS ENGLISHED |
| 000533 (1981) |
Philip Brett | Homage to Taverner in Byrd's masses |
| 000549 (1980) |
Charles Langmaid | Reading for Pleasure: Another sort of reading |
| 000550 (1980) |
Sandra Corse | Old Music and New in “L'Allegro” and “II Penseroso” |
| 000556 (1979) |
David G. Mateer | JOHN SADLER AND OXFORD, BODLEIAN MSS MUS. e. 1-5 |
| 000567 (1978) |
John Harley | Two Jacobean songs |
| 000570 (1978) |
John Morehen | THE ENGLISH CONSORT AND VERSE ANTHEMS |
| 000580 (1978) |
Craig Monson | GEORGE KIRBYE AND THE ENGLISH MADRIGAL |
| 000597 (1977) |
G. A. Philipps | CROWN MUSICAL PATRONAGE FROM ELIZABETH I TO CHARLES I |
| 000605 (1976) |
G. A. Phillpps | PATRONAGE IN THE CAREER OF THOMAS WEELKES |
| 000606 (1976) |
D. W. Krummel | Musical Functions and Bibliographical Forms |
| 000612 (1975) |
H. Diack Johnstone | THE GENESIS OF BOYCE'S ‘CATHEDRAL MUSIC’ |
| 000640 (1973) |
Frank J. Fabry | Sidney's ‘Poetry and Italian Song‐Form |
| 000663 (1969) |
John Morehen | THE SOUTHWELL MINSTER TENOR PART-BOOK IN THE LIBRARY OF ST. MICHAEL'S COLLEGE, TENBURY (MS. 1382) |
| 000665 (1969) |
Walter Gray | SOME ASPECTS OF WORD TREATMENT IN THE MUSIC OF WILLIAM BYRD |
| 000666 (1969) |
Howard B. Barnett | JOHN CASE-AN ELIZABETHAN MUSIC SCHOLAR |
| 000671 (1968) |
E. T. | REVIEWS OF BOOKS |
| 000676 (1968) |
| Professional Materials |
| 000687 (1966) |
| Professional Materials |
| 000692 (1965) |
Richard C. Von Ende | Music and Shakespeare |
| 000712 (1960) |
David Brown | THE STYLES AND CHRONOLOGY OF THOMAS MORLEY'S MOTETS |
| 000713 (1960) |
Ernest T. Ferand | REVIEWS OF BOOKS |
| 000729 (1958) |
John H. Long | SNEAK'S “NOYSE” HEARD AGAIN? |
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